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X-WR-CALNAME:Bowdoin Music Festival
X-ORIGINAL-URL:https://www.bowdoinfestival.org
X-WR-CALDESC:Events for Bowdoin Music Festival
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TZID:America/New_York
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DTSTART:20210314T070000
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DTSTART;TZID=America/New_York:20210806T130000
DTEND;TZID=America/New_York:20210806T180000
DTSTAMP:20260423T070259
CREATED:20190926T195408Z
LAST-MODIFIED:20210805T213055Z
UID:15188-1628254800-1628272800@www.bowdoinfestival.org
SUMMARY:Young Artists Performance
DESCRIPTION:1:00 PM \nPABLO DE SARASATE (1844-1908)\nIntroduction and Tarantella\, Op. 43 \nBright Johnston\, violin\, • Minjung Seo\, piano \nBright is a summer student of Aaron Berofsky. \nCAMILLE SAINT-SAËNS (arr. YSAŸE) (1835-1921)\nSix Études\, Op. 52 \nNo. 6\, Caprice d’après l’étude en forme de valse \nByeol Kim\, violin • Minjung Seo\, piano \nByeol is a summer student of Aaron Berofsky. \nANTONÍN DVOŘÁK (1841-1904)\nPiano Trio No. 4 in E Minor\, Op. 90\, B. 166\, “Dumky” \nI.   Lento maestoso\nV.  Allegro\nVI. Lento maestoso \nKatherine Butler\, violin • Heechan Ku\, cello • Hung Phi Nguyen\, piano \nThis group is coached by Soyeon Kate Lee. Heechan is sponsored by Ed & Whitney Selover. \nROBERT SCHUMANN (1810-1856)\nPiano Trio No. 1 in D Minor\, Op. 63 \n\nMit Energie und Leidenschaft\n\nGale Szczepkowski\, violin • Zubin Park\, cello • Erica Clarke\, piano \nThis group is coached by Denise Djokic. \nJOHANNES BRAHMS (1833-1897)\nPiano Quintet in F Minor\, Op. 34 \nI.  Allegro non troppo\nIII. Scherzo. Allegro \nDawn Kim\, Mia Smith\, violin • Ru-Yao Van der Ploeg\, viola • Calvin Kung\, cello \nChi Hoi Jimmy Cheung\, piano \nThis group is coached by Kirsten Docter. Jimmy is a recipient of the 2021 Dr. Louis and Anne J. Bachrach Memorial Scholarship. \n2:00 PM \nFELIX MENDELSSOHN (1809-1847)\nString Quartet No. 2 in A Minor\, Op. 13 \n\nAdagio – Allegro vivace\nAdagio non lento\n\nIris Shepherd\, Abby Reed\, violin • Arielle L. Fentress\, viola • Hayden Idson\, cello \nThis group is coached by Kathryn Votapek. \nSERGEI PROKOFIEV (1891-1953)\nString Quartet No. 2 in F Major\, Op. 92 \n\nAllegro sostenuto\n\nHenry Ayanna\, Allyson Cohen\, violin • Marcus Stevenson\, viola • Zachary Fung\, cello \nThis group is coached by Daniel McDonough. \nLUDWIG VAN BEETHOVEN (1770-1827)\nString Quartet No. 2 in G Major\, Op. 18 No. 2 \n\nAllegro\n\nDawn Kim\, Allyson Cohen\, violin • Wilfred Farquharson\, viola • Nina Bernat\, bass \nThis group is coached by Meg Freivogel. Wilfred is sponsored by Susan Lavan. Nina is sponsored by Dr. & Mrs. Stephen Corson. \nROBERT SCHUMANN (1810-1856)\nMärchenbilder for Viola and Piano\, Op. 113 \n\nNicht schnell\nLebhaft\n\nMegan Wike\, viola • Ming-Li Liu\, piano \nMegan is a summer student of Phillip Ying. Ming-Li is a summer student of Pei-Shan Lee and is sponsored by Lewis & Adria Kaplan. \nPYOTR ILLYICH TCHAIKOVSKY (1840-1893)\nVariations on a Rococo Theme\, Op. 33 \nAnia Lewis\, cello • Ming-Li Liu\, piano \nAnia is a summer student of Paul Katz. Ming-Li is a summer student of Pei-Shan Lee and is sponsored by Lewis & Adria Kaplan. \n3:00 PM \nLUDWIG VAN BEETHOVEN (1770-1827)\nPiano Sonata No. 26 in E-flat Major\, Op. 81a\, “Les adieux” \n\nDas Lebewohl. Adagio – Allegro\nAbwesendheit. Andante espressivo\n\nChi Hoi Jimmy Cheung\, piano \nJimmy is a summer student of Ran Dank and is a recipient of the 2021 Dr. Louis and Anne J. Bachrach Memorial Scholarship. \nWOLFGANG AMADEUS MOZART (1756-1791)\nViolin Concerto No. 4 in D Major\, K. 218 \n\nAllegro\n\nRyan Titapiwatanakun\, violin • Chris Soong\, piano \nRyan is a summer student of Kurt Sassmannshaus. Chris is a summer student of Pei-Shan Lee and is sponsored by Lewis & Adria Kaplan. \nHENRI VIEUXTEMPS (1820-1881)\nÉlégie for Viola and Piano in F Minor\, Op. 30 \nRu-Yao Van der Ploeg\, viola • Byunghee Yoo\, piano  \nRu-Yao is a summer student of Phillip Ying. \nEDVARD GRIEG (1843-1907)\nSonata No. 3 for Violin and Piano in C Minor\, Op. 45 \nII. Allegretto espressivo alla Romanza \nIII. Allegro animato \nBenjamin Garrett\, violin • Yu-Ting Peng\, piano \nBenjamin is a summer student of Sergiu Schwartz. Yu-Ting is a summer student of Pei-Shan Lee. \nJOHANNES BRAHMS (1833-1897)\nSonata No. 1 in F Minor\, Op. 120 No. 1 \n\nAllegro appassionato\n\nJacob Shin\, viola • Byunghee Yoo\, piano \nJacob is a summer student of Dimitri Murrath. \n4:00 PM \nFRANZ LISZT (1811-1886)\nRhapsodie espagnole\, S. 254 \nSon Duong\, piano \nSon is a summer student of Douglas Humpherys. \nFRANZ JOSEPH HAYDN (1732-1809)\nPiano Sonata No. 62 in E-flat Major\, Hob. XVI: 52 \n\nAllegro\n\nGrace Peng\, piano \nGrace is a summer student of Ran Dank. \nDARIUS MILHAUD (1892-1974)\nSonata for Two Violins and Piano\, Op. 15 \n\nAnimé\nModéré\nTrès vif\n\nYe Jin Min\, Sory Park\, violin • Anthony Ratinov\, piano \nThis group is coached by Itamar Zorman. Ye Jin is sponsored by Patricia Brown. Sory is sponsored by Claudia & Michael Spies. Anthony is a recipient of the Paul J. Lynskey Piano Scholarship. \nJOHANNES BRAHMS (1833-1897)\nSonata No. 3 for Piano and Violin in D Minor\, Op. 108 \n\nAllegro\nAdagio\n\nRussell Iceberg\, violin • Chris Soong\, piano \nRussell is a summer student of Ian Swensen and is sponsored by Barbara Gauditz. Chris is a summer student of Pei-Shan Lee and is sponsored by Lewis & Adria Kaplan. \n5:00 PM \nAMY BEACH (1867-1944)\nPiano Trio in A Minor\, Op. 150 \n\nAllegro\nLento espressivo\n\nYe Jin Min\, violin • Dana Rath\, cello • Anthony Ratinov\, piano \nYe Jin is sponsored by Patricia Brown. Dana is sponsored by Kent & Natalie Mitchell. Anthony is a recipient of the Paul J. Lynskey Piano Scholarship. \nFRANZ SCHUBERT (1797-1828)\nFantasie for Piano Four Hands in F Minor\, D. 940 \n\nAllegro moderato\nLargo\nScherzo. Allegro vivace\nFinale. Allegro molto moderato\n\nAngie Zhang\, Chris Soong\, piano \nThis group is coached by Elinor Freer\, Pei-Shan Lee\, and Tao Lin. Angie is sponsored by Peter & Harriette Griffin. Chris is sponsored by Lewis & Adria Kaplan. \nDMITRI SHOSTAKOVICH (1906-1975)\nSonata for Cello and Piano in D Minor\, Op. 40 \n\nAllegro non troppo\nAllegro\nLargo\nAllegro\n\nWilliam Suh\, cello • Margaret Kim\, piano \nWilliam is a summer student of David Ying and is sponsored by an anonymous donor. Margaret is a summer student of Pei-Shan Lee and is sponsored by Bill & Mary Earl Rogers.
URL:https://www.bowdoinfestival.org/event/young-artists-performance-65/
LOCATION:Live Online from Studzinski Recital Hall\, 12 Campus Rd S\, Brunswick\, ME\, 04011
CATEGORIES:Concert,Young Artists Series,Livestream,Free Events
ATTACH;FMTTYPE=image/jpeg:https://www.bowdoinfestival.org/contents/media/2018/11/YAS-July-8-d-10.jpg
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DTSTART;TZID=America/New_York:20210806T193000
DTEND;TZID=America/New_York:20210806T203000
DTSTAMP:20260423T070259
CREATED:20190926T163903Z
LAST-MODIFIED:20210806T134223Z
UID:15145-1628278200-1628281800@www.bowdoinfestival.org
SUMMARY:Still\, Bermel\, & Brahms
DESCRIPTION:Still\, Bermel\, & Brahms \nWILLIAM GRANT STILL (1895-1978)\nLyric Quartette \n\n\n\nThe Sentimental One\nThe Quiet One\nThe Jovial One\n\n\n\nItamar Zorman\, Kathryn Votapek\, violin • Kirsten Docter\, viola • Edward Arron\, cello \nDEREK BERMEL (b. 1967)\nPassing Through\nItamar Zorman\, Kathryn Votapek\, violin • Kirsten Docter\, viola • Edward Arron\, cello \nJOHANNES BRAHMS (1833-1897)\nPiano Quartet No. 3 in C Minor\, Op. 60 \n\nAllegro non troppo\nScherzo. Allegro\nAndante\nFinale. Allegro comodo\n\nIan Swensen\, violin • Dimitri Murrath\, viola • Daniel McDonough\, cello • Pei-Shan Lee\, piano \n  \nPROGRAM NOTES \nWILLIAM GRANT STILL\nLyric Quartette (1939-45)  \nMississippi-born\, Arkansas-raised composer William Grant Still began his musical life in adolescence as a largely self-taught multi-instrumentalist. Though he initiated a sciences degree at the historically Black Wilberforce University (Ohio)\, his focus was elsewhere—he spent much of his time conducting the college band\, harboring a keen desire to become an opera composer. He left college early and secured a job arranging music for the great blues bandleader W. C. Handy. He also began taking formal music instruction at Oberlin College and\, later\, the New England Conservatory. \nAfter a brief deployment in World War I\, Still settled in New York\, where he earned a living through his arrangements—not only for Handy but also for a wide range of theater and radio orchestras and touring bands—and sought private lessons with French composer Edgard Varèse. While Varèse introduced Still to avant-gardist currents not taught in conservatory\, ultramodernism left Still unsatisfied and sharpened his desire to hone a distinctly Black compositional voice. These efforts\, tapping especially into the world of blues\, nourished such works as his Afro-American Symphony(1930)\, the first symphony by an African American composer to be premiered by a major American orchestra—only one of several color barriers Still would break in the highly segregated music industry. He broke another (and realized a lifelong dream) the following decade\, when his opera dramatizing an episode from the Haitian Revolution\, Troubled Island\, was premiered in 1949 by the New York City Opera. \nLyric Quartette was likely composed at some point between 1939 and 1945. Little is known about the work\, for reasons explained by the composer’s daughter\, Judith Still: \nThe ‘Lyric String Quartette’ was written at the request of Joachim Chassman\, for his string quartet [the Hollywood String Quartet]. However\, when the group tried it out\, my father said there was something wrong with it\, and he threw it in the wastebasket. My mother took it out and saved it\, and I published it after fixing a mistake in the viola part. It was an immediate hit when played\, and audiences gave ovations to the ‘Quiet One’ movement. Everyone wanted to know who among our friends was ‘The Quiet One\,’ but I have no idea… [It] may have been about my mother\, a fine\, quiet\, but powerful lady\, who had tremendous talent on her own. \n  \nDEREK BERMEL\nPassing Through (2007) \nDerek Bermel has written the following about Passing Through: \nI spent the summer of 2007 at the Copland House\, working on a short movement for the Guarneri Quartet. It was a unique opportunity to contemplate the contributions of these legendary artists who transformed concert music in America. I began thinking about what it means to live a life in music\, to become part of its history\, a permanent fixture in the firmament by whose light others find their way. The commission was for a five-minute work\, so within that short amount of time I wanted to present a miniature tribute to both the Guarneri and to Beethoven’s final quartet. I imagined viewing this incredible work through a kaleidoscope\, then shaking it after the first few measures; all the tiny pieces of plastic remain constant\, but their placement has shifted\, and a different image appears. I felt that the Guarneri’s emotional connection to—and intimate understanding of—the thematic material would help empower this brief movement to illuminate another facet of the great Beethoven quartet. \n  \nJOHANNES BRAHMS\nPiano Quartet No. 3 in C Minor\, Op. 60 (1875) \nAlthough not completed until 1875\, Brahms began sketches for his third Piano Quartet as early as 1855\, around the time he also began composing what became his first Piano Quartet (in G minor). At that time\, he was profoundly distraught over his friend Robert Schumann – who had fallen gravely ill and was captive in an asylum. He soon became distraught over Clara\, too\, having fallen deeply in love with her during the time he spent by her and Robert’s side. Clara’s main preoccupation\, however\, was Robert’s condition\, and Brahms’s affection remained tormentingly unrequited. \nBrahms’s emotional state when he began work on the quartet was captured by the sardonic remarks he enclosed when sending the completed manuscript to the publisher\, decades later: “On the cover you must have a picture\, namely a head with a pistol to it. Now you can form some conception of the music! I’ll send you my photograph for the purpose.” German readers at the time would have recognized the grim allusion to Werther\, the tragically lovestruck and eventually suicidal protagonist of Goethe’s most famous novel. \nBoth Robert and Clara Schumann are musically inscribed\, moreover\, into the Quartet’s opening theme. After two interrupted starts\, the violin introduces a descending five-note motif (E♭-D-C-B-C). This figure is adapted from Clara Schumann’s piano composition\, Variations on a Theme by Robert Schumann\, Op. 20\, which she performed for Brahms in 1854; that piece\, in turn\, was based on a theme used in her husband’s Bünte Blatter\, Op. 99. \n\nProgram Notes by Peter Asimov \n  \nSPONSORS\nThis concert is generously sponsored by:
URL:https://www.bowdoinfestival.org/event/still-bermel-brahms/
LOCATION:Live Online from Studzinski Recital Hall\, 12 Campus Rd S\, Brunswick\, ME\, 04011
CATEGORIES:Concert,Ticketed Events,Fridays,Livestream
ATTACH;FMTTYPE=image/jpeg:https://www.bowdoinfestival.org/contents/media/2018/07/creditRichardBlinkhoff-1.v1.jpg
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